People Are Very Divided Over The 2020 Splendour Line-Up
"How hard is it to find a female headliner?"
Early this morning, the packed Splendour In The Grass 2020 lineup dropped — and almost immediately, punters took to their socials to weigh in.
The festival boasts Flume, Tyler, The Creator and The Strokes as headliners, with acts like the Yeah Yeah Yeahs, Dillon Francis, Violent Soho, JPEGMAFIA, and King Princess filling out the lower tiers. For a squiz over the full line-up, head over here.
Initially, it was the three headliners that garnered attention from festival goers — The Strokes had the nostalgia-lovers among us buzzing, excited by the prospect of the band potentially playing new material.
From opening for Bernie Sanders to headlining Splendour In The Grass in just a matter of weeks – a meteoric rise for this young band called “”The Strokes””
— Josh Butler (@JoshButler) February 18, 2020
The Strokes, DMA’s, Yeah Yeah Yeah’s, Lime Cordiale, Mako Road, Glass Animals, G-Flip, Gerry Cinnamon, Denzel Curry, Tyler The Creator
Splendour Lineup is good.
— Matt (@matthvy) February 18, 2020
Fuck off the strokes are coming back for splendour!!!!!!
— rory (@lorirorien) February 18, 2020
Some, however, expressed concern, given the band’s past history with the festival, while others felt like the choice was a little predictable.
also i love the strokes as much as any other cobber that wore a merriweather post pavilion shirt in 2010 but their splendour headlining set in 2016 was a sedative
— honorary sean connery (@djgeordiegray) February 18, 2020
Maybe expectations were too high, but this Splendour line-up is really lacking the wow factor for me.
Flume and Strokes both from 2016 and where’s the female headliner?!— Alister Newstead (@AlNewstead) February 18, 2020
Tyler, The Creator, returning to Australian shores only months after his last string of dates in our country, attracted a similarly split reaction.
OMG guys, am I the only one who is so disappointed about this splendour line up.
the amount of people on my TL screaming over this line up, I can't. Y'all realise its just the same line up recycled from different AUS festivals..
we literally just had Tyler play festivals, same
— Joshua Hands 🦋 (@JoshuaHxnds) February 18, 2020
just hit the YOLO big time and booked flights to byron for splendour in the grass. will i get a ticket? who knows. where will i sleep? no idea. who's gonna come with me? i dunno. will i see tyler the creator? ABSO-FUCKING-LUTELY
— jodie (@yabloodykidding) February 18, 2020
Most surprising of all was the reaction from triple j host Bridget Hustwaite, who took to Twitter to express slight disappointment with the line-up, noting that so many of the headliners had been in the country very recently.
For its 20th year I’m a little underwhelmed. So many of these acts played 2 years ago or were just here for other festivals. But, I’m particularly stoked for Northeast, Miiesha, Memphis LK, Fazerdaze and Georgia. Hope to see more girls in the second announce too. pic.twitter.com/FugAiiESbG
— Bridget Hustwaite (@BHustwaite) February 18, 2020
Similarly, she noted the lack of female headliners, while others remarked on the uneven gender split in general.
Also how hard is it to find a female headliner?
— Bridget Hustwaite (@BHustwaite) February 18, 2020
Particularly considering I don’t think Tyler is truly at headliner level yet. There are just so, so many women on the same tier as The Strokes & Flume. Feels like they exhausted the wishlist (ie. Lana) and gave up https://t.co/L7Ik42p8EB
— Nic Kelly (@nicwkelly) February 18, 2020
But hey, at least one of the musicians attracted almost uniformly positive reactions — one Mr. Flume, AKA Harley Streten, he of ass-eating fame.
if flume doesnt eat ass on stage at splendour is it really worth it?
— kat (@chlorinekat) February 18, 2020
as if tyler the creator and flume are going to splendour 😩
— Alexandra Mellross (@AlexandraMellr2) February 18, 2020
Seems like you really can’t please everyone all the time. Which might well be a continuing problem for Splendour in the Grass moving forward. How can you appeal to the mainstream, when the mainstream itself is so divided?